550nm Infrared Filter
Produces stunning false-color infrared images with unique color effects.
590nm Infrared Filter
The 590nm filter can produce vibrant false colors while allowing for flexibility in post-processing. It’s typically used to produce golden-yellow foliage and bright blue skies. This filter requires post-processing and is compatible with a full spectrum or a lower cutoff IR converted camera.
665nm Infrared Filter
The 665nm filter can produce vibrant false colors with good B+W contrast. It’s typically used to produce light yellow leaves or the classic white IR look with blue skies. This filter requires post-processing and is compatible with a full spectrum or a lower cutoff IR converted camera.
720nm Infrared Filter
The classic IR filter, the 720nm filter is great for blue sky false color and provides great contrast and dynamic range for B+W. This filter requires post-processing and is compatible with a full spectrum or lower cutoff IR converted camera. It can also be used with some stock cameras with a long exposure.
780nm Infrared Filter
Captures images with enhanced contrast and fine details not usually visible to the naked eye.
850nm Infrared Filter
The 850nm IR filter creates the classic high contrast B+W IR effect straight out of camera. This filter is compatible with a full spectrum or lower cutoff IR converted camera. It can also be used with some stock cameras with a long exposure.
930nm Infrared Filter
Captures images with enhanced contrast and fine details not usually visible to the naked eye.
1000nm Infrared Filter
Crafted with the highest quality materials for superior infrared performance and durability.
Blue Infrared Filter
The Blue IR filter can produce vibrant false colors similar to the 590 filter directly in camera without post-processing. This filter transmits both blue and IR, making it useful for NDVI crop analysis. This filter works only with a full spectrum converted camera.



1 review for Infrared Clip-in Filter For Nikon Z-Mount – Magnetic
Aaron Ellison (verified owner) –
This is a great addition to the clip-in filter line!
I did a comparison between this new magnetic clip-in UV bandpass filter and the standard (in-front-of-the-lens) UV bandpass filter using a full-spectrum converted Nikon Z8, a 105-mm UV-Nikkor lens, a Nikon FTZ-II adapter for the F-mount lens, and a pair of Kolari full-spectrum flashes.
With identical post-processing (white balance, highlights/shadows) using PhotoNinja (ver. 1.4.0d_avx2) and RawTherapee (ver. 5.12), the results were visually quite close. The clip-in filter also was “brighter” – I could make UV images about 1 stop faster (f16, 1/30s, ISO 400) than with the in-front-of-the-lens filter (f16, 1/30s, ISO 800), probably because the clip-in filter is thinner. The clip-in filter also has a mirror coating on both sides (is it a dichroic filter?) and straight-out-of-the-camera (before post-processing), the image looks more like what I get using a Baader-U Venus filter than what I get using the Kolari UV bandpass (in-front-of-camera) filter. It would be very good to be able to compare the transmission spectra of both the clip-in and the in-front-of-camera filters.
If I were changing filters all the time (between images), I’d probably stick with the in-front-of-the-lens filter. But if I were planning to use UV filters only for extended periods, or for older UV-capable lenses with odd-size filter threads, the magnetic clip-in would definitely be the way to go.
Thanks for adding this to the clip-in line!