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The unique, class-leading optics you’ve come to expect from Kolari Vision are now available to fit Canon’s next-generation form factor. Our Drop-in filters bring you our Infrared, Ultraviolet, Neutral Density, IR/UV Cut, and IRchrome glass to Canon’s new R lens adapter system.
Machined from solid aluminum with wide grip and lanyard attachment point for lightweight durability, ease of use, and user customization. Our attachment system provides the exact pressure needed to make swapping filters intuitive and easy while never shaking loose on their own.
All of our filters are coated with AR/AS coatings for increased transmission, reduced reflections, and easy cleaning. The IRND filters are built on an ultra-strong Gorilla Glass substrate.
The Kolari EF-EOS R Drop-In Filter Mount Adapter is compatible with the Canon EOS R, R5, R5C, R6, R7, R50, R100, RP, RED Komodo, RED Komodo X, and RED V-Raptor. All of our Drop-In filters are compatible with Canon’s Drop-In adapter system as well as our own.
We understand that post-processing IR images can be challenging at first but don’t worry, we have many resources and tutorials available for IR photographers. Here are a few of our most popular IR post-processing resources below:
Custom DNG Tutorial for setting a white balance for infrared photography – https://kolarivision.com/post-infrared-photo-editing/custom-dng-tutorial-setting-white-balance-infrared-photography/
INFRARED PHOTOGRAPHY FALSE COLOR TUTORIAL – https://kolarivision.com/post-infrared-photo-editing/infrared-photography-false-color-tutorial/
ADVANCED COLOR PROCESSING TECHNIQUES – https://kolarivision.com/post-infrared-photo-editing/enhanced-color-processing-techniques/
CLiR Infrared Photography Mastery – Complete IR Course and Software – https://kolarivision.com/product/clir-infrared-photography-mastery-complete-ir-course-and-software/
Infrared LUT Pack by Pierre-Louis Ferrer – https://kolarivision.com/product/infrared-lut-pack/
Our IR filters are made to work with full-spectrum modified cameras to target a specific wavelength or artistic effect. These filters either completely block visible light while only letting near-infrared pass or offer a mixture of both visible and near IR light. Useful for fine art, forensics, and many other professional applications.
IR Filter Options:
550nm Infrared – Inspired by false-color IR film, the 550nm can produce deep blue skies and pink foliage. This filter lets in more visible light than the 590nm filter and can be used to emulate aerochrome (but not as easily as our IR Chrome Filter) after a channel swap and a few hue adjustments. The unique colors that can be achieved with this filter are perfect for interesting IR landscapes. This filter requires post-processing and is compatible with a full spectrum camera.
590nm Infrared – The 590nm filter can produce vibrant false colors while allowing for flexibility in post-processing. It’s typically used to produce golden-yellow foliage and bright blue skies. This filter requires post-processing and is compatible with a full spectrum or a lower cutoff IR converted camera.
665nm – The 665nm filter can produce vibrant false colors with good B+W contrast. It’s typically used to produce light yellow leaves or the classic white IR look with blue skies. This filter requires post-processing and is compatible with a full spectrum or a lower cutoff IR converted camera.
720nm Infrared – The classic IR filter, the 720nm filter is great for blue sky false color and provides great contrast and dynamic range for B+W. This filter requires post-processing and is compatible with a full spectrum or lower cutoff IR converted camera.
780nm Infrared – The 780nm IR filter creates the classic high contrast B&W IR effect straight out of camera while letting in more light than a traditional 850nm filter. Perfect for B&W IR photography with minimum post-processing, hotspots are also less severe when using this filter. This filter requires post-processing and is compatible with a full spectrum or lower cutoff IR converted camera.
850nm Infrared – The 850nm IR filter creates the classic high contrast B+W IR effect straight out of camera. This filter is compatible with a full spectrum or lower cutoff IR converted camera. It can also be used with some stock cameras with a long exposure.
IR Chrome Lite – The IR Chrome Lite uses both infrared and visible light to mimic the look of the classic Kodak Aerochrome IR film with little to no editing. This filter is only for use with a full spectrum converted camera. Its thin glass design allows it to work behind the lens and achieves richer color than the original IR Chrome.
Vendor: Kolari Vision EU
Type: Lens Filter
Options: IRND 1-stop, IRND 2-stop, IRND 3 -stop, IRND 4-stop, IRND 5-stop, IRND 6-stop, IRND 7-stop, IRND 8-stop, IRND 10-stop, IRND 15-stop, IRND 20-stop, 470nm, 500nm, 570nm, 590nm, 665nm, 720nm, 780nm, 850nm, 930nm, 1000nm, Ha Hot Mirror, UV/IR Cut (H-Alpha Pass), IRchrome, UV Bandpass, CPL, 2-10VND, IRChrome Lite, Clear Drop-in, Swirly Bokeh 1X, Swirly Bokeh 2X, Iridium, Kolari R Blue IR/NDVI Filter, Kolari R Light Pollution Filter, Kolari R Dark VND Filter (6-15 Stops), UV/IR Cut Hot Mirror Pro 2, Kolari R K550 Filter, Kolari Rotating Flare, Kolari Rotating Streak, Kolari Dual Streak, Kolari Streak + Rotating Flare, Kolari Flare + Rotating Streak, Kolari Dual Flare, Dark CPL + 5 S stop, 2-Stop Soft Graduated ND, Vertigo, Empty (fits 52mm filters), H-Alpha Pass Narrowband, Kolari Astro HEUIB-II, Kolari Astro NGS1 (LPS-D3), Kolari Astro GNB, Empty With Step-Down Washer Ring for 45mm to 48 1/2mm Glass
SKU: RdropinIRND1Pro
Barcode: 786032882783
Weight: 25 g
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