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Passing Upward

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I stepped outside after an afternoon storm to notice a rainbow on the horizon. I wasn’t sure how a rainbow would look in infrared light; however, I was pleasantly surprised with the range of colors.

Desert Walk

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This photo was taken at Joshua Tree National Park near sunset. It was hard to arrange the ideal composition because the amount of Joshua trees in every frame were overwhelming. Of the many shots I captured, I settled for this one.

Grand Canyon in Infrared

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This is a faux (false) color infrared (IR) photograph of Yaki Point in the Grand Canyon taken from the South Rim near Mather Point. I took this photograph two weeks after I took delivery of my first infrared camera and is one of the first Infrared photos I have ever taken. I did not flip […]

Approaching a Paradox

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With many oddly shaped plants and frequent storms, Great Sand Dunes National park is an infrared photographer’s dream. This photo was captured in late August as a storm rolled in.

Keeping Watch

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This photo was taken on a late-July evening in Colorado. It seemed to consistently hover over my campsite and refused to move on. I felted like I was being watched

Free the Colors

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This photo was taken in Tokyo at the height of the Cherry Blossom season. While many infrared techniques can turn colored vegetation white, this photo turned white vegetation to color.

Dusk in Another Light

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I took this photo at the Great Sand Dunes National Park in Colorado. As the sun was setting and the storm approaching, I captured this photo.

Lily

Lily 720nm Kathleen Reed

Lily shot with unconverted Minolta DiMAGE 7, 42mm, ISO 100, external 720nm filter

Eastward Wind

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This photo was taken at Joshua Tree National Park. I stumbled upon this abandoned structure that seemed to fit so well with the corresponding Joshua tree.

Bowl of Light

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This photo was taken at Canyonlands Nation Park in Utah. In the moment, it felt like the canyon was a bowl receiving the light as the sun dipped into the evening.

Morris Hill Cemetery

Morris Hill BW 720 Kathleen Reed

Morris Hill Cemetery shot with unconverted Minolta DiMAGE 7, ISO 200, external filter 720, converted in Photoshop to black and white.

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