No longer will you have to purchase multiple sizes of the same filter to fit all your different lenses. Our Kolari Magnetic Clip-in filters allow you to add rear filtering to your full-frame mirrorless camera systems so you can adapt one filter size across many lenses.
Perfect for wide-angle lenses and optics that don’t have filter threads. Designed by photographers, for photographers.
Compatible with
Sony A7, Sony A7II, Sony A7III,
Sony A7R, Sony A7R II, Sony A7R III,
Sony A7R IV, Sony A7S, Sony A7S II, Sony A7S III, Sony A9, Sony A9 II, A7 IV, FX3
Compatible with
Nikon Z6*, Nikon Z7*,
Nikon Z6 II, Nikon Z7 II,
Nikon Z5*, Nikon Z9*
Our performance-optimized frames allow our filters to clip into place securely between your camera and lens via magnetic force. We designed them to be easy to install and easy to remove.
As one of the most common types of filters on the market, you’ve likely heard of ND filters many times. But what exactly are ND filters, what do they do, and why would you want one? Neutral Density filters are made up of a darkened piece of glass that acts like a pair of sunglasses for your camera. They prevent a certain amount of light from entering the camera’s sensor while maintaining color’s hues and tones.
While lots of light is generally what you want in photography, there are times when it can be too much of a good thing. They are also useful for achieving a cinematic effect or long exposure photography.
The Mist Diffusion filter creates a glowing haze effect by defocusing some light while maintaining a high-quality level of sharpness and contrast. This filter is especially useful for creating a cinematic, nostalgic effect or smoothening skin and blemishes.
Our Iridium filter can be used to boost the saturation of reds, blues, and greens when using stock cameras. When used with a full-spectrum camera, our Iridium filter creates an “IR-like” effect by turning green foliage light blue/white while retaining accurate skin tones.
Our Kolari Clear – Dust Protective Filter helps to deter dust from coming into contact with the sensor. The filter sits within the mount and catches any dust or debris instead of dust landing directly on the sensor. The filter’s hydrophobic multi-coating helps reduce reflections and makes the filter really easy to clean with an air blower or microfiber cloth.
Our UV/IR Cut (H-Alpha Pass) Filter maintains strong sensitivity in the H-Alpha range while removing unwanted UV & IR light. This filter will essentially turn your full-spectrum camera into an Astro-modded camera.
Our Light Pollution Filter can be used with stock cameras filter out common street lamp wavelengths and yellow light to cut through light pollution in high bortle zones.
Our IR filters are made to work with full-spectrum modified cameras to target a specific wavelength or artistic effect. These filters either completely block visible light while only letting near-infrared pass or offer a mixture of both visible and near IR light. Useful for fine art, forensics, and many other professional applications.
The IR Chrome Lite uses both infrared and visible light to mimic the look of the classic Kodak Aerochrome IR film with little to no editing. This filter is only for use with a full spectrum converted camera. Its thin glass design allows it to work behind the lens and achieves richer color than the original IR Chrome.
The 590nm filter can produce vibrant false colors while allowing for flexibility in post-processing. It’s typically used to produce golden-yellow foliage and bright blue skies. This filter requires post-processing and is compatible with a full spectrum or a lower cutoff IR converted camera.
The 665nm filter can produce vibrant false colors with good B+W contrast. It’s typically used to produce light yellow leaves or the classic white IR look with blue skies. This filter requires post-processing and is compatible with a full spectrum or a lower cutoff IR converted camera.
The classic IR filter, the 720nm filter is great for blue sky false color and provides great contrast and dynamic range for B+W. This filter requires post-processing and is compatible with a full spectrum or lower cutoff IR converted camera. It can also be used with some stock cameras with a long exposure.
The 850nm IR filter creates the classic high contrast B+W IR effect straight out of camera. This filter is compatible with a full spectrum or lower cutoff IR converted camera. It can also be used with some stock cameras with a long exposure.
The Blue IR filter can produce vibrant false colors similar to the 590 filter directly in camera without post-processing. This filter transmits both blue and IR, making it useful for NDVI crop analysis. This filter works only with a full spectrum converted camera.
This filter boosts the saturation of the reds, greens, and blues directly in-camera without digital manipulation when used on a stock camera. Perfect for landscape, portraits, and any type of scene that can benefit from enhanced colors.
On a full spectrum converted camera, this filter can alternatively be used for a unique infrared look.
These filters can not be physically stacked within the mount, however, you can still stack them with external lens filters without any degradation in image quality.
All of our filters can be used on normal unmodified cameras except our IR filters, which require a full-spectrum modified camera. For more information on what a full-spectrum conversion consists of, click here.
Yes! You will still have fast and accurate focus when using our Kolari Magnetic Clip-in Filters throughout all focal lengths and focus range.
At this time, our Kolari Magnetic Clip-in filters can only be used on full-frame mirrorless cameras. Check for specific model compatibility in the product description.
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